added latest notes

11 files changed, 991 insertions, 21 deletions

diff --git a/Red winged blackbirds.txt b/Red winged blackbirds.txt
deleted file mode 100644
index c88e87e..0000000
--- a/Red winged blackbirds.txt
+++ /dev/null
@@ -1,7 +0,0 @@
-Red winged blackbirds
-Barn swallows
-Laughing gull
-Great egret
-Barn swallow
-Willet
-Sanderling
\ No newline at end of file
diff --git a/address.txt b/address.txt
index 76c6bf2..0804b7d 100644
--- a/address.txt
+++ b/address.txt
@@ -3,9 +3,5 @@ PMB 1556, 401 E 8th St #214
 Sioux Falls SD 57103
 
 Scott Gilbertson
-101 Airstrip Rd #155
-Kill Devil Hills, NC 27948
-
-Scott Gilbertson
 641 Brook Circle
 Griffin, GA 30224
diff --git a/birds.txt b/birds.txt
new file mode 100644
index 0000000..d542574
--- /dev/null
+++ b/birds.txt
@@ -0,0 +1,5 @@
+
+
+Frisco
+Least tern
+Kite
diff --git a/good lines.txt b/good lines.txt
index e39b83f..d6c7d7f 100755
--- a/good lines.txt
+++ b/good lines.txt
@@ -11,4 +11,4 @@ These Faberge mornings
 Every which and when must what and why and of its attendant how five pleasure to the pavements, the dividing line and its shadow.
 
 The flowers here are purchases of feathers
-the coffee like no other, mint leaf
\ No newline at end of file
+the coffee like no other, mint leaf
diff --git a/how to mark a book.txt b/how to mark a book.txt
new file mode 100644
index 0000000..eae7807
--- /dev/null
+++ b/how to mark a book.txt
@@ -0,0 +1,185 @@
+source: http://www.tnellen.com/cybereng/adler.html
+
+                              How to Mark a Book
+
+                          By Mortimer J. Adler, Ph.D.
+
+                            from The Radical Academy
+
+
+You know you have to read "between the lines" to get the most out of anything. I
+want to persuade you to do something equally important in the course of your
+reading. I want to persuade you to write between the lines. Unless you do, you
+are not likely to do the most efficient kind of reading.
+
+I contend, quite bluntly, that marking up a book is not an act of mutilation but
+of love. You shouldn't mark up a book which isn't yours.
+
+Librarians (or your friends) who lend you books expect you to keep them clean,
+and you should. If you decide that I am right about the usefulness of marking
+books, you will have to buy them. Most of the world's great books are available
+today, in reprint editions.
+
+There are two ways in which one can own a book. The first is the property right
+you establish by paying for it, just as you pay for clothes and furniture. But
+this act of purchase is only the prelude to possession. Full ownership comes
+only when you have made it a part of yourself, and the best way to make yourself
+a part of it is by writing in it. An illustration may make the point clear. You
+buy a beefsteak and transfer it from the butcher's icebox to your own. But you
+do not own the beefsteak in the most important sense until you consume it and
+get it into your bloodstream. I am arguing that books, too, must be absorbed in
+your blood stream to do you any good.
+
+Confusion about what it means to "own" a book leads people to a false reverence
+for paper, binding, and type -- a respect for the physical thing -- the craft of
+the printer rather than the genius of the author. They forget that it is
+possible for a man to acquire the idea, to possess the beauty, which a great
+book contains, without staking his claim by pasting his bookplate inside the
+cover. Having a fine library doesn't prove that its owner has a mind enriched by
+books; it proves nothing more than that he, his father, or his wife, was rich
+enough to buy them.
+
+There are three kinds of book owners. The first has all the standard sets and
+best sellers -- unread, untouched. (This deluded individual owns woodpulp and
+ink, not books.) The second has a great many books -- a few of them read
+through, most of them dipped into, but all of them as clean and shiny as the day
+they were bought. (This person would probably like to make books his own, but is
+restrained by a false respect for their physical appearance.) The third has a
+few books or many -- every one of them dog-eared and dilapidated, shaken and
+loosened by continual use, marked and scribbled in from front to back. (This man
+owns books.)
+
+Is it false respect, you may ask, to preserve intact and unblemished a
+beautifully printed book, an elegantly bound edition? Of course not. I'd no more
+scribble all over a first edition of 'Paradise Lost' than I'd give my baby a set
+of crayons and an original Rembrandt. I wouldn't mark up a painting or a statue.
+Its soul, so to speak, is inseparable from its body. And the beauty of a rare
+edition or of a richly manufactured volume is like that of a painting or a
+statue.
+
+But the soul of a book "can" be separate from its body. A book is more like the
+score of a piece of music than it is like a painting. No great musician confuses
+a symphony with the printed sheets of music. Arturo Toscanini reveres Brahms,
+but Toscanini's score of the G minor Symphony is so thoroughly marked up that no
+one but the maestro himself can read it. The reason why a great conductor makes
+notations on his musical scores -- marks them up again and again each time he
+returns to study them--is the reason why you should mark your books. If your
+respect for magnificent binding or typography gets in the way, buy yourself a
+cheap edition and pay your respects to the author.
+
+Why is marking up a book indispensable to reading? First, it keeps you awake.
+(And I don't mean merely conscious; I mean awake.) In the second place; reading,
+if it is active, is thinking, and thinking tends to express itself in words,
+spoken or written. The marked book is usually the thought-through book. Finally,
+writing helps you remember the thoughts you had, or the thoughts the author
+expressed. Let me develop these three points.
+
+If reading is to accomplish anything more than passing time, it must be active.
+You can't let your eyes glide across the lines of a book and come up with an
+understanding of what you have read. Now an ordinary piece of light fiction,
+like, say, "Gone With the Wind," doesn't require the most active kind of
+reading. The books you read for pleasure can be read in a state of relaxation,
+and nothing is lost. But a great book, rich in ideas and beauty, a book that
+raises and tries to answer great fundamental questions, demands the most active
+reading of which you are capable. You don't absorb the ideas of John Dewey the
+way you absorb the crooning of Mr. Vallee. You have to reach for them. That you
+cannot do while you're asleep.
+
+If, when you've finished reading a book, the pages are filled with your notes,
+you know that you read actively. The most famous "active" reader of great books
+I know is President Hutchins, of the University of Chicago. He also has the
+hardest schedule of business activities of any man I know. He invariably reads
+with a pencil, and sometimes, when he picks up a book and pencil in the evening,
+he finds himself, instead of making intelligent notes, drawing what he calls
+'caviar factories' on the margins. When that happens, he puts the book down. He
+knows he's too tired to read, and he's just wasting time.
+
+But, you may ask, why is writing necessary? Well, the physical act of writing,
+with your own hand, brings words and sentences more sharply before your mind and
+preserves them better in your memory. To set down your reaction to important
+words and sentences you have read, and the questions they have raised in your
+mind, is to preserve those reactions and sharpen those questions.
+
+Even if you wrote on a scratch pad, and threw the paper away when you had
+finished writing, your grasp of the book would be surer. But you don't have to
+throw the paper away. The margins (top as bottom, and well as side), the
+end-papers, the very space between the lines, are all available. They aren't
+sacred. And, best of all, your marks and notes become an integral part of the
+book and stay there forever. You can pick up the book the following week or
+year, and there are all your points of agreement, disagreement, doubt, and
+inquiry. It's like resuming an interrupted conversation with the advantage of
+being able to pick up where you left off.
+
+And that is exactly what reading a book should be: a conversation between you
+and the author. Presumably he knows more about the subject than you do;
+naturally, you'll have the proper humility as you approach him. But don't let
+anybody tell you that a reader is supposed to be solely on the receiving end.
+Understanding is a two-way operation; learning doesn't consist in being an empty
+receptacle. The learner has to question himself and question the teacher. He
+even has to argue with the teacher, once he understands what the teacher is
+saying. And marking a book is literally an expression of differences, or
+agreements of opinion, with the author.
+
+There are all kinds of devices for marking a book intelligently and fruitfully.
+Here's the way I do it:
+
+  * Underlining (or highlighting): of major points, of important or forceful
+    statements.
+  * Vertical lines at the margin: to emphasize a statement already underlined.
+  * Star, asterisk, or other doo-dad at the margin: to be used sparingly, to
+    emphasize the ten or twenty most important statements in the book. (You may
+    want to fold the bottom comer of each page on which you use such marks. It
+    won't hurt the sturdy paper on which most modern books are printed, and you
+    will be able take the book off the shelf at any time and, by opening it at
+    the folded-corner page, refresh your recollection of the book.)
+  * Numbers in the margin: to indicate the sequence of points the author makes
+    in developing a single argument.
+  * Numbers of other pages in the margin: to indicate where else in the book the
+    author made points relevant to the point marked; to tie up the ideas in a
+    book, which, though they may be separated by many pages, belong together.
+  * Circling or highlighting of key words or phrases.
+  * Writing in the margin, or at the top or bottom of the page, for the sake of:
+    recording questions (and perhaps answers) which a passage raised in your
+    mind; reducing a complicated discussion to a simple statement; recording the
+    sequence of major points right through the books. I use the end-papers at
+    the back of the book to make a personal index of the author's points in the
+    order of their appearance.
+
+The front end-papers are to me the most important. Some people reserve them for
+a fancy bookplate. I reserve them for fancy thinking. After I have finished
+reading the book and making my personal index on the back end-papers, I turn to
+the front and try to outline the book, not page by page or point by point (I've
+already done that at the back), but as an integrated structure, with a basic
+unity and an order of parts. This outline is, to me, the measure of my
+understanding of the work.
+
+If you're a die-hard anti-book-marker, you may object that the margins, the
+space between the lines, and the end-papers don't give you room enough. All
+right. How about using a scratch pad slightly smaller than the page-size of the
+book -- so that the edges of the sheets won't protrude? Make your index,
+outlines and even your notes on the pad, and then insert these sheets
+permanently inside the front and back covers of the book.
+
+Or, you may say that this business of marking books is going to slow up your
+reading. It probably will. That's one of the reasons for doing it. Most of us
+have been taken in by the notion that speed of reading is a measure of our
+intelligence. There is no such thing as the right speed for intelligent reading.
+Some things should be read quickly and effortlessly and some should be read
+slowly and even laboriously. The sign of intelligence in reading is the ability
+to read different things differently according to their worth. In the case of
+good books, the point is not to see how many of them you can get through, but
+rather how many can get through you -- how many you can make your own. A few
+friends are better than a thousand acquaintances. If this be your aim, as it
+should be, you will not be impatient if it takes more time and effort to read a
+great book than it does a newspaper.
+
+You may have one final objection to marking books. You can't lend them to your
+friends because nobody else can read them without being distracted by your
+notes. Furthermore, you won't want to lend them because a marked copy is kind of
+an intellectual diary, and lending it is almost like giving your mind away.
+
+If your friend wishes to read your Plutarch's Lives, Shakespeare, or The
+Federalist Papers, tell him gently but firmly, to buy a copy. You will lend him
+your car or your coat -- but your books are as much a part of you as your head
+or your heart.
+
diff --git a/reading/ancient-civ.txt b/reading/ancient-civ.txt
new file mode 100644
index 0000000..25184ff
--- /dev/null
+++ b/reading/ancient-civ.txt
@@ -0,0 +1,120 @@
+Source: https://www.spectator.co.uk/article/does-an-unknown-extraordinarily-ancient-civilisation-lie-buried-under-eastern-turkey- Sean Thomas
+
+Is an unknown, extraordinarily ancient civilisation buried under eastern Turkey?
+
+8 May 2022, 8:00am
+
+
+I am staring at about a dozen, stiff, eight-foot high, orange-red penises, carved from living bedrock, and semi-enclosed in an open chamber. A strange carved head (of a man, a demon, a priest, a God?), also hewn from the living rock, gazes at the phallic totems – like a primitivist gargoyle. The expression of the stone head is doleful, to the point of grimacing, as if he, or she, or it, disapproves of all this: of everything being stripped naked under the heavens, and revealed to the world for the first time in 130 centuries.
+
+Yes, 130 centuries. Because these penises, this peculiar chamber, this entire perplexing place, known as Karahan Tepe (pronounced Kah-rah-hann Tepp-ay), which is now emerging from the dusty Plains of Harran, in eastern Turkey, is astoundingly ancient. Put it another way: it is estimated to be 11-13,000 years old.
+
+This number is so large it is hard to take in. For comparison the Great Pyramid at Giza is 4,500 years old. Stonehenge is 5,000 years old. The Cairn de Barnenez tomb-complex in Brittany, perhaps the oldest standing structure in Europe, could be up to 7,000 years old.
+
+The oldest megalithic ritual monument in the world (until the Turkish discoveries) was always thought to be Ggantija, in Malta. That’s maybe 5,500 years old. So Karahan Tepe, and its penis chamber, and everything that inexplicably surrounds the chamber – shrines, cells, altars, megaliths, audience halls et al – is vastly older than anything comparable, and plumbs quite unimaginable depths of time, back before agriculture, probably back before normal pottery, right back to a time when we once thought human ‘civilisation’ was simply impossible.
+
+After all, hunter gatherers – cavemen with flint arrowheads – without regular supplies of grain, without the regular meat and milk of domesticated animals, do not build temple-towns with water systems.
+
+Do they?
+
+Virtually all that we can now see of Karahan Tepe has been skilfully unearthed the last two years, with remarkable ease (for reasons which we will come back to later). And although there is much more to summon from the grave, what it is already teaching us is mind stretching. Taken together with its age, complexity, sophistication, and its deep, resonant mysteriousness, and its many sister sites now being unearthed across the Harran Plains – collectively known as the Tas Tepeler, or the ‘stone hills’ – these carved, ochre-red rocks, so silent, brooding, and watchful in the hard whirring breezes of the semi-desert, constitute what might just be the greatest archaeological revelation in the history of humankind.
+
+The unveiling of Karahan Tepe, and nearly all the Tas Tepeler, in the last two years, is not without precedent. As I take my urgent photos of the ominously louring head, Necmi Karul touches my shoulder, and gestures behind, across the sun-burnt and undulant plains.
+
+Necmi, of Istanbul University, is the chief archaeologist in charge of all the local digs – all the Tas Tepeler. He has invited me here to see the latest findings in this region, because I was one of the first western journalists to come here many years ago and write about the origin of the Tas Tepeler. In fact, under the pen-name Tom Knox, I wrote an excitable thriller about the first of the ‘stone hills’ – a novel called The Genesis Secret, which was translated into quite a few languages – including Turkish. That site, which I visited 16 years back, was Gobekli Tepe.
+
+Necmi points into the distance, now hazed with heat.
+
+‘Sean. You see that valley, with the roads, and white buildings?’
+
+I can maybe make out a white-ish dot, in one of the pale, greeny-yellow valleys, which stretch endlessly into the shimmering blur.
+
+‘That,’ Necmi says, ‘Is Gobekli Tepe. 46 kilometres away. It has changed since since you were last here!’
+
+And so, to Gobekli Tepe. The ‘hill of the navel’. Gobekli is pivotally important. Because Karahan Tepe, and the Tas Tepeler, and what they might mean today, cannot be understood without the primary context of Gobekli Tepe. And to comprehend that we must double back in time, at least a few decades.
+
+The modern story of Gobekli Tepe begins in 1994, when a Kurdish shepherd followed his flock over the lonely, infertile hillsides, passing a single mulberry tree, which the locals regarded as ‘sacred’. The bells hanging on his sheep tinkled in the stillness. Then he spotted something. Crouching down, he brushed away the dust, and exposed a large, oblong stone. The man looked left and right: there were similar stone outcrops, peeping from the sands.
+
+Calling his dog to heel, the shepherd informed someone of his finds when he got back to the village. Maybe the stones were important. He was not wrong. The solitary Kurdish man, on that summer’s day in 1994, had made an irreversibly profound discovery – which would eventually lead to the penis pillars of Karahan Tepe, and an archaeological anomaly which challenges, time and again, everything we know of human prehistory.
+
+A few weeks after that encounter by the mulberry tree, news of the shepherd’s find reached museum curators in the ancient city of Sanliurfa, 13km south-west of the stones. They got in touch with the German Archaeological Institute in Istanbul. And in late 1994 the German archaeologist Klaus Schmidt came to the site of Gobekli Tepe to begin his slow, diligent excavations of its multiple, peculiar, enormous T-stones, which are generally arranged in circles – like the standing stones of Avebury or Stonehenge. Unlike European standing stones, however, the older Turkish megaliths are often intricately carved: with images of local fauna. Sometimes the stones depict cranes, boars, or wildfowl: creatures of the hunt. There are also plenty of leopards, foxes, and vultures. Occasionally these animals are depicted next to human heads.
+
+Notably lacking were detailed human representations, except for a few coarse or eerie figurines, and the T-stones themselves, which seem to be stylised invocations of men, their arms ‘angled’ to protect the groin. The obsession with the penis is obvious – more so, now we have the benefit of hindsight provided by Karahan Tepe and the other sites. Very few representations of women have emerged from the Tas Tepeler so far; there is one obscene caricature of a woman perhaps giving birth. Whatever inspired these temple-towns it was a not a benign matriarchal culture. Quite the opposite, maybe.
+
+The apparent date of Gobekli Tepe – first erected in 10,000 BC, if not earlier – caused a deal of skepticism. But over time archaeological experts began to accept the significance. Ian Hodden, of Stanford University, declared that: ‘Gobekli Tepe changes everything.’ David Lewis-Williams, the revered professor of archaeology at Witwatersrand University in Johannesburg, said, at the time: ‘Gobekli Tepe is the most important archaeological site in the world.’
+
+And yet, in the nineties and early noughties Gobekli Tepe dodged the limelight of general, public attention. It’s hard to know why. Too remote? Too hard to pronounce? Too eccentric to fit with established theories of prehistory? Whatever the reason, when I flew out on a whim in 2006 (inspired by two brisk minutes of footage on a TV show), even the locals in the nearby big city, Sanliurfa, had no conception of what was out there, in the barrens.
+
+I remember asking a cab driver, the day I arrived, to take me to Gobekli Tepe. He’d never heard of it. Not a clue. Today that feels like asking someone in Paris if they’ve heard of the Louvre and getting a Non. The driver had to consult several taxi-driving friends until one grasped where I wanted to go – ‘that German dig, out of town, by the Arab villages’ – and so the driver rattled me out of Sanliurfa and into the dust until we crested one final remote hill and came upon a scene out of the opening titles of the Exorcist: archaeologists toiling away, unnoticed by the world, but furiously intent on their world-changing revelations.
+
+For an hour Klaus (who sadly died in 2014) generously escorted me around the site. I took photos of him and the stones and the workers, this was not a hassle as there were literally no other tourists. A couple of the photos I snatched, that hot afternoon, went on to become mildly iconic, such as my photo of the shepherd who found the site, or Klaus crouching next to one of the most finely-carved T-stones. They were prized simply because no one else had bothered to take them.
+
+
+Klaus Schmidt (photo: Sean Thomas)
+
+After the tour, Klaus and I retired from the heat to his tent, where, over dainty tulip glasses, of sweet black Turkish tea, Klaus explained the significance of the site.
+
+As he put it, ‘Gobekli Tepe upends our view of human history. We always thought that agriculture came first, then civilisation: farming, pottery, social hierarchies. But here it is reversed, it seems the ritual centre came first, then when enough hunter gathering people collected to worship – or so I believe – they realised they had to feed people. Which means farming.’ He waved at the surrounding hills, ‘It is no coincidence that in these same hills in the Fertile Crescent men and women first domesticated the local wild einkorn grass, becoming wheat, and they also first domesticated pigs, cows and sheep. This is the place where Homo sapiens went from plucking the fruit from the tree, to toiling and sowing the ground.’
+
+Klaus had cued me up. People were already speculating that – if you see the Garden of Eden mythos as an allegory of the Neolithic Revolution: i.e. our fall from the relative ease of hunter-gathering to the relative hardships of farming (and life did get harder when we first started farming, as we worked longer hours, and caught diseases from domesticated animals), then Gobekli Tepe and its environs is probably the place where this happened. Klaus Schmidt did not demur. He said to me, quite deliberately: ‘I believe Gobekli Tepe is a temple in Eden’. It’s a quote I reused, to some controversy, because people took Klaus literally. But he did not mean it literally. He meant it allegorically.
+
+Klaus told me more astonishing things.
+
+‘We have found no homes, no human remains. Where is everyone, did they gather for festivals, then disperse? As for their religion, I have no real idea, perhaps Gobekli Tepe was a place of excarnation, for exposing the bones of the dead to be consumed by vultures, so the bodies have all gone. But I do definitely know this: some time in 8000 BC the creators of Gobekli Tepe buried their great structures under tons of rubble. They entombed it. We can speculate why. Did they feel guilt? Did they need to propitiate an angry God? Or just want to hide it?’ Klaus was also fairly sure on one other thing. ‘Gobekli Tepe is unique.’
+
+I left Gobekli Tepe as bewildered as I was excited. I wrote some articles, and then my thriller, and alongside me, many other writers, academics and film-makers, made the sometimes dangerous pilgrimage to this sumptuously puzzling place near the troubled Turkey-Syria border, and slowly its fame grew.
+
+Back here and now, in 2022, Necmi, myself and Aydan Aslan – the director for Sanliurfa Culture and Tourism – jump in a car at Karahan Tepe (Necmi promises me we shall return) and we go see Gobekli Tepe as it is today.
+
+Necmi is right: all is changed. These days Gobekli Tepe is not just a famous archaeological site, it is a Unesco World-Heritage-listed tourist honeypot which can generate a million visitors a year. It is all enclosed by a futuristic hi-tech steel-and-plastic marquee (no casual wandering around taking photos of the stones and workers). Where Klaus and I once sipped tea in a flapping tent, alone, there is now a big visitor centre – where I bump into the grandson of the shepherd who first found Gobekli. I spy the stone where I took the photo of a crouching Klaus, but I see it 20 metres away. That’s as close as I can get.
+
+After lunch in Sanliurfa – with its Gobekli Tepe themed restaurants, and its Gobekli Tepe T-stone fridge-magnet souvenir shops - Necmi shows me the gleaming museum built to house the greatest finds from the region: including a 11,000 year old statue, retrieved from beneath the centre of Sanliurfa itself, and perhaps the world’s oldest life size carved human figure. I recall first seeing this poignant effigy under the stairs next to a fire extinguisher in Sanliurfa’s then titchy, neglected municipal museum. Back in 2006 I wrote about ‘Urfa man’ and how he should be vastly better known, not hidden away in some obscure room in a museum visited by three people a year.
+
+Urfa man now has a silent hall of his own in one of Turkey’s greatest archaeological galleries. More importantly, we can now see that Urfa man has the same body stance of the T-shaped man-pillars at Gobekli (and in many of the Tas Tepeler): his arms are in front of him, protecting his penis. His obsidian eyes still stare wistfully at the observer, as lustrous as they were 11,000 years ago.
+
+
+(Photo: Sean Thomas)
+
+As we stroll about the museum, Necmi points at more carvings, more leopards, vultures, penises. From several sites archaeologists have found statues of leopards apparently mounting, riding or even ‘raping’ humans, paws over the human eyes. Meanwhile, Aslan tells me how archaeologists at Gobekli have also, more recently, found tantalising evidence of alcohol: huge troughs with the chemical residue of fermentation, indicating mighty ritual feasts, maybe.
+
+I sense we are getting closer to a momentous new interpretation of Gobekli Tepe and the Tas Tepeler. And it is very different from that perspective Klaus Schmidt gave me, in 2006 (and this is no criticism, of course: he could not have known what was to come).
+
+Necmi – as good as promised – whisks me back to Karahan Tepe, and to some of the other Tas Tepeler, so we can jigsaw together this epochal puzzle. As we speed around the arid slopes he explains how scientists at Karahan Tepe, as well as Gobekli Tepe, have now found evidence of homes.
+
+These places, the Tas Tepeler, were not isolated temples where hunter gatherers came, a few times a year, to worship at their standing stones, before returning to the plains for the life of the chase. The builders lived here. They ate their roasted game here. They slept here. And they used, it seems, a primitive but poetic form of pottery, shaped from polished stone. They possibly did elaborate manhood rituals in the Karahan Tepe penis chamber, which was probably half flooded with liquids. And maybe they celebrated afterwards with boozy feasts. Yet still we have no sign at all of contemporary agriculture; they were, it still appears, hunter gatherers, but of unnerving sophistication.
+
+Another unnerving oddity is the curious number of carvings which show people with six fingers. Is this symbolic, or an actual deformity? Perhaps the mark of a strange tribe? Again, there are more questions than answers. Crucially, however, we do now have tentative hints as to the actual religion of these people.
+
+In Gobekli Tepe several skulls have been recovered. They are deliberately defleshed, and carefully pierced with holes so they could – supposedly – be hung and displayed.
+
+Skull cults are not unknown in ancient Anatolia. If there was such a cult in the Tas Tepeler it might explain the graven vultures pictured ‘playing’ with human heads. As to how the skulls were obtained, they might have come from conflict (though there is no evidence of this yet), it is quite possible the skulls were obtained via human sacrifice. At a nearby, slightly younger site, the Skull Building of Cayonu, we know of altars drenched with human blood, probably from gory sacrifice.
+
+
+The shepherd who discovered Gobekli Tepe (photo: Sean Thomas)
+
+Necmi has one more point to make about Karahan Tepe, as we tour the penis chamber and its anterooms. Karahan Tepe is stupefyingly big. ‘So far,’ he says, ‘We have dug up maybe 1 per cent of the site’ – and it is already impressive. I ask him how many pillars – T stones – might be buried here. He casually points at a rectangular rock peering above the dry grass. ‘That’s probably another megalith right there, waiting to be excavated. I reckon there are probably thousands more of them, all around us. We are only at the beginning. And there could be dozens more Tas Tepeler we have not yet found, spread over hundreds of kilometres.’
+
+In one respect Klaus Schmidt has been proved absolutely right. After he first proposed that Gobekli Tepe was deliberately buried with rubble – that is to say, bizarrely entombed by its own creators – a backlash of scepticism grew, with some suggesting that the apparent backfill was merely the result of thousands of years of random erosion, rain and rivers washing debris between the megaliths, gradually hiding them. Why should any religious society bury its own cathedrals, which must have taken decades to construct?
+
+And yet, Karahan too was definitely and purposely buried. That is the reason Necmi and his team were able to unearth the penis pillars so quickly, all they had to do was scoop away the backfill, exposing the phallic pillars, sculpted from living rock.
+
+I have one more question for Necmi, which has been increasingly nagging at me. Did the people that build the Tas Tepeler have writing? It is almost impossible to believe that you could construct such elaborate sites, in multiple places, over thousands of square kilometres, without careful, articulate plans, that is to say: without writing. You couldn’t sing, paint and dream your way to entire inhabited towns of shrines, vaults, water channels and cultic chambers.
+
+Necmi shrugs. He does not know. One of the glories of the Tas Tepeler is that they are so old, no one knows. Your guess is literally as good as the expert’s. And yet a very good guess, right now, leads to the most remarkable answer of all, and it is this: archaeologists in southeastern Turkey are, at this moment, digging up a wild, grand, artistically coherent, implausibly strange, hitherto-unknown-to-us religious civilisation, which has been buried in Mesopotamia for ten thousand years. And it was all buried deliberately.
+
+Jumping in the car, we head off to yet another of the Tas Tepeler, but then Necmi has an abrupt change of mind, as to our destination.
+
+‘No, let’s go see Sayburc. It’s a little Arab village. A few months ago some of the farmers rang us and said “Er, we think we have megaliths in our farmyard walls. Do you want to have a look?”’
+
+Our cars pull up in a scruffy village square, scattering sheep and hens. Sure enough, there are classic Gobekli/Karahan style T-stones, being used to buttress agricultural walls, they are probably 11-13,000 years old, just like everywhere else. There are so many of them I spot one of my own, on the outskirts of the village. I point it out to Necmi. He nods, and says ‘Yes, that’s probably another.’ But he wants to show me something else.
+
+Pulling back a plastic curtain we step into a kind of stone barn. Along one wall there is a spectacular stone frieze, displaying animal and human figures, carved or in relief. There are leopards, of course, and also aurochs, etched in a Cubist way to make both menacing horns equally visible (you can see an identical representation of the auroch at Gobekli Tepe, so similar one might wonder if they were carved by the same artist).
+
+
+(Photo: Sean Thomas)
+
+At the centre of the frieze is a small figure, in bold relief. He is clutching his penis. Next to him, being threatened by the aurochs, is another human. He has six fingers. For a long while, we stare in silence at the carvings. I realise that, a few farmers apart, we are some of the first people to see this since the end of the Ice Age.
+
+These carved, ochre-red rocks constitute what might just be the greatest archaeological revelation in the history of humankind Written bySean Thomas
+
+Sean Thomas is a bestselling author
diff --git a/recipes/chicken-satay.txt b/recipes/chicken-satay.txt
index b989d3b..f8b64ca 100644
--- a/recipes/chicken-satay.txt
+++ b/recipes/chicken-satay.txt
@@ -1,4 +1,4 @@
-https://www.foodandwine.com/recipes/chicken-satay-with-peanut-sauce
+https://wwwz.foodandwine.com/recipes/chicken-satay-with-peanut-sauce
 
 Satay
 
diff --git a/todo.txt b/todo.txt
index a51c1ee..0d10ddf 100644
--- a/todo.txt
+++ b/todo.txt
@@ -1,8 +1,3 @@
-
-
-testing
-
-
 # Today
  I think someone could probably do very well for themselves by curating a regularly updated website that lists and reviews free and subscription-based content. I’d gladly see my stuff included — links to this blog and my Dreamwidth account, plus info for my subscription astrology posts, along with much more of the same kind? You bet.
 
@@ -16,9 +11,6 @@ He predicted in “Tools for Conviviality” that, should technology not be rest
 
 # Bus
 
-# Done
-# Buy
-2021-02-28 midi controller https://www.amazon.com/midiplus-32-Key-Midi-Controller-AKM320/dp/B00VHKMK64
 
 # Read
 
diff --git a/trading.txt b/trading.txt
index d12a3ab..b017056 100644
--- a/trading.txt
+++ b/trading.txt
@@ -1,5 +1,7 @@
 Trading Notes
 
+The subject of the 5% bid/ask rule has come up a few times recently. I think probably the best way to calculate it is to take Ask-Bid/Mid. For example, an option is 1.00 Bid 1.05 ask. The calculation would be 1.05 - 1.00 / 1.025 = 4.9% spread
+
 to trade options on Russell 200 use IWM
 
 ## Breakout Trade stops
diff --git a/w3m-definitions.txt b/w3m-definitions.txt
new file mode 100644
index 0000000..e36ff69
--- /dev/null
+++ b/w3m-definitions.txt
@@ -0,0 +1,676 @@
+A-vim-like-firefox-like-configuration-for-w3m/documentation/functions.txt
+
+
+ Order of entries in DESCRIPTION section
+ The first entry is the official description in README.func
+ https://raw.githubusercontent.com/tats/w3m/master/doc/README.func
+ The second is a personal description if it is necessary
+ The seemingly duplicated functions
+ Examples, and tips
+ Testing, pending
+ current review line 673
+ legend
+ n: number
+ SC: Execute the shortcut associated with the function
+ n SC: press the number, release the number, execute the
+ shortcut
+ ==: Are the same
+ The meaning of the previous element
+ The result of the previous execution
+ e.g.Run: example inside w3m. When w3m is running
+ e.g.Key: example in keymap. if the example shows something like
+ e.g.Key EXTERN_LINK copy_url.sh in the file
+ ~/.w3m/keymap this should look something like
+ keymap yf EXTERN_LINK copy_url.sh
+ e.g.Run/key: example that works in the both above
+ Test: Testing to figure out what the functions do
+ pending: no tested yet or it needs other revision
+ nothing: Do nothing
+ General notes:
+ - You generally can cancel/hide a menu/frozen situation with C-c
+ FUNCTION DESCRIPTION
+ ABORT - Quit w3m without confirmation
+ - Seemingly ABORT == EXIT
+ ACCESSSKEY - Popup acceskey menu
+ - pending nothing
+ - Test keymap C-x ACCESSKEY ==print invalid command 'ACCESSSKEY'
+ at start or when keymap is reloaded with REINIT
+ ADD_BOOKMARK - Add current page to bookmark
+ - Add current page to bookmarks
+ ALARM - Set alarm
+ - Execute a function each n seconds (forever)
+ - e.g.Run "(Alarm)sec command: 3 PREV" == each 3s go back in
+ history
+ - Each command will overwrite the previous one
+ - Execute without commands to cancel previous command and do
+ nothing
+ BACK - Back to previous buffer
+ - Delete the current buffer and Go back in history
+ - You cannot go forward in history after using this function
+ BEGIN - Go to the first line
+ - e.g.Run n SC == move the cursor to the line number n
+ BOOKMARK - Read bookmark
+ - Show bookmarks
+ - Seemingly BOOKMARK == VIEW_BOOKMARK
+ CENTER_H - Move to the center line
+ - Adjust the horizontal center of the screen in the current
+ cursor position
+ - It only works if the current line is wider than the page and
+ it is not folded/wrapped and the current cusor position can
+ be centered
+ CENTER_V - Move to the center column
+ - Adjust the vertical center of the screen in the current
+ cursor position
+ CHARSET - Change the current document charset
+ - e.g.Run "Document charset: UTF-8"
+ CLOSE_TAB - Close current tab
+ - e.g.Run n SC == close the tab number n
+ CLOSE_TAB_MOUSE - Close tab on mouse cursor (for mouse action)
+ - See README.mouse
+ - This Functions can be use only in the ~/.w3m/mouse file
+ - This file is not reloaded with REINIT, so in order to reload
+ it you need to quit and enter w3m
+ - pending inquire if the REINIT function can reload this file
+ - Test. It does not work with tmux
+ COMMAND - Execute w3m command(s)
+ - Execute w3m function(s)
+ - e.g.Run "command [; ...]: PREV" == execute the function PREV
+ - e.g.Key "COMMAND [FUNCTION]" == will execute the function
+ immediately
+ - e.g.Key COMMAND "GOTO www.google.com PREV" == goto to
+ www.goole.com and return in history
+ - e.g.Run/Key COMMAND "SET_OPTION fold_line=toggle ; RESHAPE"
+ fold/wrap lines
+ COOKIE - View cookie list
+ - Show the current size loaded e.g "3.35Mb loaded"
+ - Interactively enable/disable cookies
+ DEFAULT_CHARSET - Change the default document charset
+ - e.g.Run Default document charset: UTF-8
+ DEFINE_KEY - Define a binding between a key stroke and a user command
+ - e.g.Run "Key definition: C-v PREV"
+ - The shortcut is available only during the current session
+ (until close)
+ DELETE_PREVBUF - Delete previous buffer (mainly for local-CGI)
+ - Delete previous element in history
+ - If you execute PREV after DELETE_PREVBUF you will go to the
+ previous previous element in history
+ DICT_WORD - Execute dictionary command (see README.dict)
+ - Send a word interactively entered to the cgi script
+ specified in "URL of dictionary lookup command" in "Display
+ Settings" in "Option Setting Panel (OPTIONS)"
+ - e.g.Run (dictionary)!table == search the word table
+ interactively
+ DICT_WORD_AT - Execute dictionary command for word at cursor
+ - Execute dictionary command for word under the cursor
+ - Test e.g.Key DICT_WORD_AT 'printf %s "$0" | xsel -b' this
+ does not work and search the word under cursor
+ DISPLAY_IMAGE - Restart loading and drawing of images
+ - It can be used after STOP_IMAGE
+ - It can be used If "Load inline images automatically" is (NO)
+ and "Display inline images" is (YES) this settings are in
+ "Display Settings" in OPTIONS
+ DOWN - Scroll down one line
+ - Go up (like a pager)
+ - e.g.Run n SC == execute DOWN n times
+ - e.g.Key DOWN n == execute DOWN n times
+ DOWNLOAD - Save document source to file
+ - Download source code of current page (html)
+ - Seemingly DOWNLOAD == SAVE
+ - The download directory is where w3m was started
+ - Sometimes the downloaded file does not have extension
+ (gz, html, etc.)
+ - If "Uncompress compressed data automatically when
+ downloading" is (YES) in "Miscellaneous Settings" in OPTIONS
+ then you will not have to uncompress the file manually
+ DOWNLOAD_LIST - Display download list panel
+ - Open new tab and show a list of downloaded files
+ - It opens automatically after a download is started e.g
+ a tar file
+ - It does not open if there is no downloaded files
+ - Files downloaded with DOWNLOAD or PRINT do not appear in the
+ list
+ EDIT - Edit current document
+ - Edit current document with sensible-editor (vim, nano, etc.)
+ - In "Editor" in "External Program Settings" in OPTIONS can be
+ edited the default editor
+ - Can't edit other than local file
+ EDIT_SCREEN - Edit currently rendered document
+ - Edit with sensible-editor (vim, nano, etc.)
+ - In "Editor" in "External Program Settings" in OPTIONS can be
+ edited the default editor
+ END - Go to the last line
+ - Move cursor to the last line
+ - n SC == go to line number n
+ EXEC_SHELL - Execute shell command
+ - Execute a shell command
+ - Seemingly EXEC_SHELL == SHELL
+ - e.g.Run (exec shell)!ls == will show the output of ls and it
+ will print [Hit any key] to return to the session
+ - e.g.Key EXEC_SHELL ls == The same behavior as above but
+ automatically
+ EXIT - Quit w3m without confirmation
+ - Seemingly ABORT == EXIT
+ EXTERN - Execute external browser
+ - open current page url with sensible-browser
+ - n SC open current page url with the command linked to the n
+ number
+ - See "External Program Settings" in "Option Setting Panel" in
+ (OPTIONS)
+ - e.g.Key EXTERN copy_url.sh
+ - e.g.Key EXTERN "echo -n %s | xsel -b"
+ EXTERN_LINK - View current link using external browser
+ - open link under cursor with sensible-browser
+ - send url under cursor to EXTERN
+ - e.g.Key EXTERN_LINK copy_url.sh
+ FRAME - Render frame
+ - Toggle rendering HTML frames
+ - pending. What frame?
+ - pending. See "Render frames automatically" in OPTIONS
+ GOTO - Go to URL
+ - Open specified document in a new buffer
+ - Open the address bar with the url of the current page
+ - e.g.Run Goto URL: https://en.wikipedia.org/
+ - e.g.Key GOTO www.foobar.com == You will be redirected to
+ www.foobar.com. automatically
+ - It Uses readline commands see "Readline Command Names"
+ section of the manual of bash $ man bash
+ - useful readline commands
+ C-u == Kill backward from point to the beginning of the line
+ C-k == Kill the text from point to the end of the line
+ C-a == Move to the start of the current line
+ C-e == Move to the end of the line
+ C-d == Delete character under cursor
+ C-w == Kill the word behind point, using white space as a
+ word boundary
+ GOTO_LINE - Go to specified line
+ - Go to specified line interactively
+ - e.g.Run Goto line:n == go to line number n interactively
+ - e.g.Key GOTO_LINE n == go to line number n automatically
+ GOTO_LINK - Go to current link
+ - Open link under cursor in the current tab
+ GOTO_RELATIVE - Go to relative URL
+ - interactively go to a relative link in the current page
+ - If you are in foobar.com and search "word", you will be
+ redirected to foobar.com/word
+ - The interactive dialog is opened with the current url, so you
+ may need to clean the field first (C-u)
+ - e.g.Key GOTO_RELATIVE "word" == If you are in foobar.com, you
+ will be redirected to foobar.com/word
+ HELP - View help
+ - View the current keymap with explanations of the functions
+ - In help there are different descriptions of functions (more
+ information)
+ HISTORY - View history of URL
+ - Show history (a list with visited url and files)
+ INFO - View info of current document
+ - View info of current page
+ - Header, page size stylesheet, SSL Certificate, more
+ INTERRUPT - Stop loading document
+ - Stop w3m process and send it to the background == C-Z in bash
+ - seemingly INTERRUPT == SUSPEND
+ - To resume w3m execute in bash $ fg
+ INIT_MAILCAP - Reread mailcap (mainly for local-CGI)
+ - ~/.w3m/mailcap is the file where you can define the
+ applications to open specif files
+ - Image/Gif; /usr/bin/viewnior '%s' # a mailcap entry, it
+ opens gif images with the image viewer viewnior
+ - pending. This message appears when w3m start with this entry
+ keymap C-x INIT_MAILCAP "invalid command 'INIT_MAILCAP'"
+ - pending in the file NEWS says "INIT_MAILCAP deleted, use
+ REINIT MAILCAP instead"
+ ISEARCH - Incremental search forward
+ - Enter find mode
+ - Incremental search == Find as you type
+ - As you type the first match is highlighted
+ - It supports regular expressions, so the expression "wik.*fre"
+ will match "Wikipedia, the free"
+ ISEARCH_BACK - Incremental search backward
+ - Incremental search == Find as you type
+ - As you type the first match is highlighted
+ - It supports regular expressions, so the expression "wik.*fre"
+ will match "Wikipedia, the free"
+ LEFT - Shift screen one column
+ - Move screen to the left (like a pager)
+ - e.g.Run n SC == execute LEFT n times
+ - e.g.Key LEFT n == execute LEFT n times
+ LINE_BEGIN - Go to the beginning of line
+ - Go to the first column in the current line
+ LINE_END - Go to the end of line
+ - Move the cursor to the last column in the current line
+ LINE_INFO - Show current line number
+ - Show current line info
+ - e.g.Run "line 21/115 (18%) col 59/59 Unicode (UTF-8)"
+ LINK_BEGIN - Go to the first link
+ - e.g.Run n SC == go to the link number n
+ LINK_END - Go to the last link
+ - e.g.Run n SC == go to the link number
+ [last link number] - [n - 1] == if you have 10 links in the
+ current page and you use 3 SC, then you will go to the link
+ number 8
+ LINK_MENU - Popup link element menu
+ - The menu contains links contained in the section "Link
+ information" of the screen printed by the INFO function
+ - You can see Stylesheets source and other things
+ - It does not work in local files
+ LIST - Show all links and images
+ - Show a list of all the links, anchors and images in the
+ current page (similar to urlview)
+ LIST_MENU - Popup link list menu and go to selected link
+ - Popup a menu with a list of all the links in the current page
+ and open the selected link in the current tab
+ - Each link in the list has a prefix (e.g. 1a, 3b) that you can
+ type as a shortcut to the link
+ - The initial position of the cursor in the menu is determined
+ by your current position in the page
+ - e.g.Run you can search (with ISEARCH, SEARCH, etc.) while
+ the menu is displayed
+ LOAD - Load local file
+ - The default directory is where w3m was started
+ - In the interactive dialog "(Load)Filename?" you can use
+ autocompletion with TAB
+ - In the interactive dialog you can use tab to alternate
+ between files in the directory
+ - In the interactive dialog "(Load)Filename?" you can press C-d
+ to show the files in the current directory
+ MAIN_MENU - Popup menu
+ - Show Context menu (like the right click in firefox). It has
+ specific option for links under the cursor
+ - Seemingly MAIN_MENU == MENU
+ - Close menu with C-c
+ MARK - Set/unset mark
+ - You can navigate between marks with NEXT_MARK and PREV_MARK
+ - The character-under-the-cursor/mark is highlighted
+ - RELOAD cleans all marks
+ MARK_MID - Mark Message-ID-like strings as anchors
+ - Turn Message-ID-like strings into hyperlinks
+ - pending What is this?
+ MARK_URL - Mark URL-like strings as anchors
+ - Turn URL-like strings into hyperlinks
+ - If you have a local text file with url-like strings inside
+ MARK_URL will convert those strings in hyperlinks you can do
+ this automatically with url.txt
+ $ w3m /usr/lib/w3m/cgi-bin/treat_as_url.cgi file-with-urls.txt
+ - pending. what defines "url-like"?
+ MARK_WORD - Mark current word as anchor
+ - Turn current word into hyperlink
+ - If you are in https://en.wikipedia.org/wiki/Internet and use
+ MARK_WORD over the word network, it will have the following
+ url https://en.wikipedia.org/wiki/network
+ - pending. Find the usefulness. Find a way to specify what urls
+ to convert
+ - test. If you put the cursor over this string
+ http://www.google.com over the "http" part convert http in a
+ clickable url
+ MENU - Popup menu
+ - Show Context menu (like the right click in firefox). It has
+ specific option for links under the cursor
+ - seemingly MAIN_MENU == MENU
+ - Close menu with C-c
+ MENU_MOUSE - Popup menu at mouse cursor (for mouse action)
+ - Popup Contextual menu in the mouse position
+ - See README.mouse
+ - This Functions can be use only in the ~/.w3m/mouse file
+ - This file is not reloaded with REINIT, so in order to reload
+ it you need to quit and enter w3m
+ - Test. It does not work with tmux
+ MOUSE_TOGGLE - Toggle activity of mouse
+ - Test. It does not work with tmux
+ MOVE_DOWN - Move cursor down (a half screen scroll at the end of screen)
+ - Move cursor down one character
+ - When you reach the border of the screen you scroll half
+ screen
+ - e.g.Key MOVE_DOWN n == execute MOVE_DOWN n times
+ - e.g.Run n SC == execute MOVE_DOWN n times
+ MOVE_DOWN1 - Move cursor down (1 line scroll at the end of screen)
+ - Move cursor down one character
+ - e.g.Key MOVE_DOWN1 n == execute MOVE_DOWN1 n times
+ - e.g.Run n SC == execute MOVE_DOWN1 n times
+ MOVE_LEFT - Move cursor left (a half screen shift at the left edge)
+ - Move cursor left one character
+ - When you reach the border of the screen you scroll half
+ screen
+ - e.g.Key MOVE_LEFT n == execute MOVE_LEFT n times
+ - e.g.Run n SC == execute MOVE_LEFT n times
+ MOVE_LEFT1 - Move cursor left (1 columns shift at the left edge)
+ - Move cursor left one character
+ - e.g.Key MOVE_LEFT1 n == execute MOVE_LEFT1 n times
+ - e.g.Run n SC == execute MOVE_LEFT1 n times
+ MOVE_LIST_MENU - Popup link list menu and move cursor to selected link
+ - Popup a menu with all the links in the current page, the
+ cursor will be putted in the selected link
+ - Each link in the list as a prefix (e.g. 1a, 3b) that you can
+ tipe as a shortcut to the link
+ MOVE_MOUSE - Move cursor to mouse cursor (for mouse action)
+ - See README.mouse
+ - This Functions can be use only in the ~/.w3m/mouse file
+ - This file is not reloaded with REINIT, so in order to reload
+ it you need to quit and enter w3m
+ - Test. It does not work with tmux
+ MOVE_RIGHT - Move cursor right (a half screen shift at the right edge)
+ - Move cursor left one character
+ - When you reach the border of the screen you scroll half
+ screen
+ - e.g.Key MOVE_RIGHT n == execute MOVE_RIGHT n times
+ - e.g.Run n SC == execute MOVE_RIGHT n times
+ MOVE_RIGHT1 - Move cursor right (1 columns shift at the right edge)
+ - Move cursor left one character
+ - e.g.Key MOVE_RIGHT1 n == execute MOVE_RIGHT1 n times
+ - e.g.Run n SC == execute MOVE_RIGHT1 n times
+ MOVE_UP - Move cursor up (a half screen scroll at the top of screen)
+ - Move cursor left one character
+ - When you reach the border of the screen you scroll half
+ screen
+ - e.g.Key MOVE_UP n == execute MOVE_UP n times
+ - e.g.Run n SC == execute MOVE_UP n times
+ MOVE_UP1 - Move cursor up (1 line scroll at the top of screen)
+ - Move cursor left one character
+ - e.g.Key MOVE_UP1 n == execute MOVE_UP1 n times
+ - e.g.Run n SC == execute MOVE_UP1 n times
+ MSGS - Display error messages
+ - Display a scree with "List of error messages"
+ - e.g line 376: invalid command 'C-v'
+ NEW_TAB - Open new tab
+ - Duplicate current tab
+ NEXT - Move to next buffer
+ - Go forward in history
+ - e.g.Run n NEXT == execute NEXT n times
+ NEXT_DOWN - Move to next downward link
+ - e.g.Run n SC == execute NEXT_DOWN n times
+ - e.g.Key NEXT_DOWN n == execute NEXT_DOWN n times
+ NEXT_HALF_PAGE - Scroll down half a page
+ - e.g.Run n SC == execute NEXT_HALF_PAGE n times
+ - e.g Key NEXT_HALF_PAGE == execute NEXT_HALF_PAGE n times
+ NEXT_LEFT - Move to next left link
+ - e.g.Run n SC == execute NEXT_LEFT n times
+ - e.g.Key NEXT_LEFT n == execute NEXT_LEFT n times
+ NEXT_LEFT_UP - Move to next left (or upward) link
+ - e.g.Run n SC == execute NEXT_LEFT_UP n times
+ - e.g.Key NEXT_LEFT_UP n == execute NEXT_LEFT_UP n times
+ NEXT_LINK - Move to next link
+ - e.g.Run n SC == execute NEXT_LINK n times
+ - e.g Key NEXT_LINK n == execute NEXT_LINK n times
+ - test. Move to the next page in LIST_MENU
+ NEXT_MARK - Move to next word
+ - Move to next mark
+ NEXT_PAGE - Move to next page
+ - Advance one page like Av Pag
+ - e.g.Run n SC == Move the cursor to the line: current-line + n
+ - e.g.Key NEXT_PAGE n == execute NEXT_PAGE n times
+ NEXT_RIGHT - Move to next right link
+ - e.g.Run n SC == execute NEXT_RIGHT n times
+ - e.g.Key NEXT_LEFT n == execute NEXT_RIGHT n times
+ NEXT_RIGHT_DOWN - Move to next right (or downward) link
+ - e.g.Run n SC == execute NEXT_RIGHT_DOWN n times
+ - e.g.Key NEXT_RIGHT_DOWN n == execute NEXT_RIGHT_DOWN n times
+ NEXT_TAB - Move to next tab
+ - Change focus to left tab
+ - When the focus is on the rightmost tab and execute NEXT_TAB
+ you move the focus to the leftmost tab
+ - e.g.Run n SC == execute NEXT_TAB n times
+ NEXT_UP - Move to next upward link
+ - e.g.Run n SC == execute NEXT_UP n times
+ - e.g.Key NEXT_UP n == execute NEXT_UP n times
+ NEXT_VISITED - Move to next visited link
+ NEXT_WORD - Move to next word
+ - Move the cursor to first character of next word
+ - e.g.Run n SC == execute NEXT_WORD n times
+ - e.g.Key NEXT_WORD n == execute NEXT_WORD n times
+ NOTHING - Do nothing
+ - seemingly NOTHING == NULL
+ NULL - Do nothing
+ - seemingly NOTHING == NULL
+ OPTIONS - Option setting panel
+ - A interactive screen with many options to configure
+ - It is a nicer way (it has comments and is divided by
+ sections) to configure the ~/.w3m/config file
+ PEEK - Peek current URL
+ - Show current page url
+ PEEK_IMG - Peek image URL
+ - Show url under cursor (only urls of images)
+ - pending. the urls shown with PEEK_IMG are not the same than
+ PEEK_LINK's
+ PEEK_LINK - Peek link URL
+ - Show url under cursor (images included)
+ PIPE_BUF - Send rendered document to pipe
+ - Pipe rendered-document and print output in a new buffer
+ - e.g.Run "Pipe buffer to: less" to navigate the rendered
+ document with less, to go back execute PREV
+ - e.g.Key PIPE_BUF less == pipe rendered document to less
+ PIPE_SHELL - Execute shell command and browse
+ - Print output of a shell command in a new buffer
+ - Seemingly PIPE_SHELL == READ_SHELL
+ - e.g.Run (read shell[pipe])!ls to go back execute PREV
+ - e.g.Key PIPE_SHELL ls == execute ls automatically
+ PREV - Move to previous buffer
+ - Go back in history
+ - e.g.Run n SC == execute PREV n times
+ PREV_HALF_PAGE - Scroll up half a page
+ - e.g.Run n SC == execute PREV_HALF_PAGE n times
+ - e.g.Key PREV_HALF_PAGE n == execute PREV_HALF_PAGE n times
+ PREV_LINK - Move to previous link
+ - e.g.Run n SC == execute PREV_LINK n times
+ - e.g Key PREV_LINK n == execute PREV_LINK n times
+ - test.Move to the next page in LIST_MENU
+ PREV_MARK - Move to previous mark
+ PREV_PAGE - Move to previous page
+ - Return one page like Re Pag
+ - e.g.Run n SC == Move the cursor to the line: current-line - n
+ - e.g.Key NEXT_PAGE n == execute PREV_PAGE n times
+ PREV_TAB - Move to previous tab
+ - Change focus to right tab
+ - When the focus is on the leftmost tab and execute PREV_TAB
+ you move the focus to the rightmost tab
+ - e.g.Run n SC == execute PREV_TAB n times
+ PREV_VISITED - Move to previous visited link
+ PREV_WORD - Move to previous word
+ - Move the cursor to first character of previous word
+ - e.g.Run n SC == execute PREV_WORD n times
+ - e.g.Key PREV_WORD n == execute PREV_WORD n times
+ PRINT - Save buffer to file
+ - Save rendered document as a text file
+ - seemingly PRINT == SAVE_SCREEN
+ - The download directory is where w3m was started
+ - e.g.Key PRINT name.txt == save rendered document
+ automatically with the name "name.txt"
+ QUIT - Quit w3m
+ - Quit w3m with confirmation
+ READ_SHELL - Execute shell command and load
+ - Print output of a shell command in a new buffer
+ - Seemingly PIPE_SHELL == READ_SHELL
+ - e.g.Run (read shell[pipe])!ls to go back execute PREV
+ - e.g.Key PIPE_SHELL ls == execute ls automatically
+ REDO - Cancel the last undo
+ - This operates on the cursor position
+ - e.g.Run SC n == execute REDO n times
+ - pending. find out if this works in other situations (other
+ than cursor position)
+ REDRAW - Redraw screen
+ - pending. What is this?, when is useful?
+ REG_MARK - Set mark using regexp
+ - creates as many marks as matches
+ - highlight each first-character in a match
+ - You can navigate between marks with NEXT_MARK and PREV_MARK
+ REINIT - Reload configuration files
+ - It reloads: keymap, urimethodmap, siteconf, mailcap, config,
+ menu
+ - It does not reload: mouse
+ - pending. list all the files reloaded/not-reloaded (cookie
+ ,history)
+ RELOAD - Reload buffer
+ - Reload current page
+ RESHAPE - Re-render buffer
+ - It removes all marks
+ - e.g.Key Folding lines for plain text files
+ COMMAND "SET_OPTION fold_line=toggle ; RESHAPE"
+ - pending.
+ RIGHT - Shift screen one column right
+ - Go up (like a pager)
+ - e.g.Run n SC == execute RIGHT n times
+ - e.g.Key RIGHT n == execute RIGHT n times
+ SAVE - Save document source to file
+ - Download source code of current page (html)
+ - Seemingly DOWNLOAD == SAVE
+ - The download directory is where w3m was started
+ - Sometimes the downloaded file does not have extension
+ (gz, html, etc.)
+ - If "Uncompress compressed data automatically when
+ downloading" is (YES) in "Miscellaneous Settings" in OPTIONS
+ then you will not have to uncompress the file manually
+ SAVE_IMAGE - Save image to file
+ - The download directory is where w3m was started
+ SAVE_LINK - Save link to file
+ - Download source code (html) of the link under cursor
+ - The default directory is the directory where w3m was started
+ - Sometimes the downloaded file does not have extension
+ (gz, html, etc.)
+ SAVE_SCREEN - Save rendered document to file
+ - Save rendered document as a text file
+ - seemingly PRINT == SAVE_SCREEN
+ - The download directory is where w3m was started
+ - e.g.Key PRINT name.txt == save rendered document
+ automatically with the name "name.txt"
+ SEARCH - Search forward
+ - seemingly SEARCH == SEARCH_FORE == WHEREIS
+ - e.g.Key SEARCH keyword == search keyword automatically
+ - It supports regular expressions, so the expression "wik.*fre"
+ will match "Wikipedia, the free"
+ SEARCH_BACK - Search backward
+ - It supports regular expressions, so the expression "wik.*fre"
+ will match "Wikipedia, the free"
+ - SEARCH_NEXT and SEARCH_PREV will go backwards
+ SEARCH_FORE - Search forward
+ - seemingly SEARCH == SEARCH_FORE == WHEREIS
+ - e.g.Key SEARCH keyword == search keyword automatically
+ - It supports regular expressions, so the expression "wik.*fre"
+ will match "Wikipedia, the free"
+ SEARCH_NEXT - Search next regexp
+ - Move cursor to next match
+ SEARCH_PREV - Search previous regexp
+ - Move cursor to previous match
+ SELECT - Go to buffer selection panel
+ - Go to a intecative buffer with all the history of the current
+ tab
+ - e.g.Run Buffer selection mode: SPC for select / D for delete
+ buffer
+ SELECT_MENU - Popup buffer selection menu
+ - Popup a interactive buffer with all the history of the
+ current tab
+ - Buffer selection mode: SPC for select / D for delete buffer
+ SETENV - Set environment variable
+ - pending
+ SET_OPTION - Set option
+ - e.g.Key COMMAND "SET_OPTION fold_line=toggle ; RESHAPE" ==
+ fold/wrap the lines in a local file
+ - See $ w3m -show-option for available options
+ SHELL - Execute shell command
+ - Seemingly EXEC_SHELL == SHELL
+ - e.g.Key SHELL ls == will execute ls automatically
+ - e.g.Run (exec shell)!ls == will show the output of ls and it
+ will print [Hit any key] to return to the session
+ SHIFT_LEFT - Shift screen left
+ - Move a screen to the left like Av Pag but horizontally
+ SHIFT_RIGHT - Shift screen right
+ - Move a screen to the right like Av Pag but horizontally
+ SOURCE - View HTML source
+ - Toggle between the source code and the rendered version
+ - Seemingly SOURCE == VIEW
+ STOP_IMAGE - Stop loading and drawing of images
+ SUBMIT - Submit form
+ - e.g.When you stop editing a field in a search engine execute
+ this to make the search
+ - Useful for sites where the search button (to make the search)
+ is not visible or It is hard to find e.g., Youtube
+ SUSPEND - Stop loading document
+ - Stop w3m process and send it to the background == C-Z in bash
+ - seemingly INTERRUPT == SUSPEND
+ - To resume w3m execute "fg" in bash
+ TAB_GOTO - Open URL on new tab
+ - Open editable dialog with current page link, and open in a
+ new foreground tab the inputted link
+ - e.g.Key TAB_GOTO [URL] == open URL in new tab
+ - e.g.Run n SC It will load the page over the nth tab
+ TAB_GOTO_RELATIVE - Open relative URL on new tab
+ - If you are in www.foo.com and you search "bar" you will be
+ redirected to www.foo.com/bar in a new foreground tab
+ - e.g.Key TAB_GOTO_RELATIVE search_string == open URL in new
+ tab
+ - e.g.Run n SC It will load the page over the nth tab
+ TAB_LEFT - Move current tab left
+ - Move current tab to the left
+ - e.g.Run n SC will execute TAB_LEFT n times
+ - If n exceed the current number of positions needed to move
+ to the first tab, the tab will move to the first tab (i.e.
+ If you want to move to the first tab type a big number)
+ TAB_LINK - Open current link on new tab
+ - Open link under cursor in a new foreground tab
+ - e.g.Run n SC It will load the page over the nth tab
+ TAB_MENU - Popup tab selection menu
+ - Show Tab Menu, an interactive list of open tabs
+ - e.g.Run you can search between opened tabs while the
+ TAB_MENU is displayed (with ISEARCH, SEARCH, etc.)
+ - SPC for select / D for delete tab
+ - from rel0.4 documentation: You can handle the menu in the
+ same way with the buffer selection menu
+ - Close it C-c
+ TAB_MOUSE - Move to tab on mouse cursor (for mouse action)
+ - pending
+ TAB_RIGHT - Move current tab right
+ - Move current tab to the right
+ - e.g.Run n SC will execute TAB_RIGHT n times
+ - If n exceed the current number of positions needed to move
+ to the last tab, the tab will move to the last tab (i.e.
+ If you want to move to the last tab type a big number)
+ UNDO - Cancel the last cursor movement
+ - Return to the last position of the cursor
+ - e.g.Run SC n == execute UNDO n times
+ - pending. find out if this works in other situations (other
+ than cursor position)
+ UP - Scroll up one line
+ - Go up (like a pager)
+ - e.g.Run n SC == execute UP n times
+ - e.g.Key UP n == execute UP n times
+ VERSION - Display version of w3m
+ - e.g. w3m version w3m/0.5.3+git20170102
+ VIEW - View HTML source
+ - Toggle between the source code and the rendered version
+ - Seemingly SOURCE == VIEW
+ VIEW_BOOKMARK - View bookmark
+ - Show bookmarks
+ - Seemingly BOOKMARK == VIEW_BOOKMARK
+ VIEW_IMAGE - View image
+ - Display the image under the cursor
+ - If "Use external image viewer" is (YES) this function will
+ open the image in the external image viewer
+ - If "Use external image viewer" is (NO) then the image is
+ opened with w3mimgdisplay in a new buffer in the current tab
+ WHEREIS - Search forward
+ - seemingly SEARCH == SEARCH_FORE == WHEREIS
+ - e.g.Key SEARCH keyword == search keyword automatically
+ - It supports regular expressions, so the expression "wik.*fre"
+ will match "Wikipedia, the free"
+ WRAP_TOGGLE - Toggle wrap search mode
+ - pending
+
+  * Copy lines
+  * Copy permalink
+  * View git blame
+  * Reference in new issue
+
+[                    ] Go
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+
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diff --git a/wired.txt b/wired.txt
new file mode 100644
index 0000000..7692cef
--- /dev/null
+++ b/wired.txt
@@ -0,0 +1 @@
+I9p`4;0lD@qSfGd.dMyb(Av~C
\ No newline at end of file